back to jack a new label from a couple of old school jocks with a passion for the sound of a 303. the first release by phazon aka lee coombs, the new outlet for all things acid and underground. special attention is given to this early authentic sound and is produced using original hardware and production techniques. authentic house music with an old school vibe. freqbox mechanical 909 drums and juno chord stabs move into 303 riff s and back out again. lying somewhere between detroit and chicago this is the sound of phazon. d minor experiments acid mix a true tb-303 workout that builds and builds and then builds some more. an acid house experience inspired by all the originators of the sound. this ain t london jackin acid with funk. 707 drums and layers of tb-303s with chopped up this ain t london vocals make this sound like mid to late 80s all over again. d minor experiments drums mix, 707 drum track for those who like to mix it up.

2019 repressing. adding a percussive and experimental edge to the current class of post-dubstep pioneers, mount kimbie, the duo of dominic maker and kai campos - are set to release their highly anticipated debut album crooks & lovers on scubas hotflush label in july. mount kimbies first two eps - maybes and sketch on glass - seemed like explorations of spaces so private that all within earshot were instantly turned into voyeurs.

one black, one white vinyl in gatefold sleeve.

side a: let it go featuring blake baxter - a mid 90 s ghetto house instrumental with moving bassline, that raw chicago beat track and a groove that will keep you dancing until the early morning hours. side b: new dub featuring kool rock steady, unreleased recording by tyree cooper with outtakes from his 1988 release turn up the bass with a rocking baseline groove, and those classic chicago house chords, sure to move any dance floor.

born in canada, fatima camara was raised in a large portuguese family where traditional song and dance were as integral to her family gatherings as food, laughter, and wine. before we sleep, her debut album, is as a collage of the diverse musical influences that have defined each chapter of her storied life: bass guitar lines wrought with the new wave sound that marked her formative adolescence, drums that echo the electronic music she migrated to during her early adulthood in toronto’s dance music scene, and an overriding melancholy that signals the conflicted feelings she has when considering the thin layer of dust that has collected upon her chair at the family dinner table since she made her move to berlin. &#8232,,,apart from music, fatima appreciates happy accidents, blended horizons, and unlit corners.

two of composts all time classics. these are rewind (!) tuuuuunes ..... by two of composts moulded, long time, levelled out artists: beanfield and felix laband with the stunning and heavy influential remixes by carl craig and todd terje.
both tracks were played and sometimes still in the box of nearly all top djs like sven väth, dixon, danny krivit, moodymann, maceo plex, michel cleis, dj deep, ricardo villalobos, amé, laurent garnier, solomun, jamie jones, nina kravitz, kerri chandler, jazzanova, gilles peterson, move d and hundreds more.....

ed dmx delivering some deeply rooted techno and acid tracks reminding of the heydays of detroit techno. the lighter side of ed dmx on his duo release for this fresh label!

here at bearfunk we have been pretty busy as of late it was a casual visit to geneva just like any other. we had just finished a buzzing set and soon after we found ourselves talking to a five bearded academic types. it turns out they were a bunch of theoretical physicists out on a cosmologists night out. they work them hard at cern and that day the large hadron collector had been a real beast rebooting five times before lunch. they were pissed off and needed a new challenge. we offered them a job on the spot and they promptly moved to our london hq working on a wage of tea, vinyl and nandos. we set them a challenge. build us a time machine! they started soaking up all those bearfunk-groove-boson particles and. you know what? they did it! a time machine of our own. our first task, jump back in time to 1985 and retrieve us something really cool. set controls to the manhattan office to celluloid records. fresh from their hit with herbie hancocks rockit, spearheading rap with fab five freddys change the beat and afrika bambata stompers the legendary label is preparing to release the debut album from nyc-paris emigre lord funk.

controlling body is the new album by peder mannerfelt featuring vocal contributions from glasser. amazing gatefold artwork and 180g vinyl.

when we started heist a few years back, our idea was to give a stage to talent in a same way as we have had a helping hand by the labels that have supported us from the beginning. therefore, i’s our pleasure to share this release with you by newcomers ouer, a berlin based duo with only a handful of tracks out so far on their self released debut last year. their approach to producing is very much jam based, and with a compact collection of synths, drum machines and a fair level of distortion, they succeed in creating their own sound with hints of classic electronic music from chicago and detroit. theres a nice mix of energy on the whole ep, the ascent being the most driving track of the package. fans of classics mcde tracks will love show off with its dreamy dx7 style chords and cracking acid lines. move over feels like a jam session that was way too much fun with some lovely solo work on the synths, whereas mess around goes down in similar free-ride style on the synths and again, has some lovely sampling going on. an impressive ep were just all too happy to have on our label. sincerely yours, lars & maarten

while we love to dance at correspondant, we have also been known to think from time to time to, so it s exciting for us to have been given the opportunity to combine the two things when presented with some new music from two of our favourite producers, marvin and guy. as such, correspondant 42 represents a more conceptual approach for the italian duo, informed by long countryside drives, the names of classic cars as learned from an illustrated childrens book, a yearning to move away from the pack of identikit dance music and a need to connect with their music in a physical way, as provided by the recorded hand clapping refrain running throughout the tracks.

ashworth concentrates on the essence of solid techno in his first full ep for made of concrete. inspired by the main component of concrete itself, the material is intitled ‘portland’ and consists of no less than four original tracks. “world” makes for a gentle introduction by opening with a soft melodic lead, swiftly changing the tempo after a few measures. we’re quickly immersed in a syncopated bassline peppered with whirring synths that harmonise with full scale piano cuts, the most intriguing earworm on the entire cut. on “launch” the producer lays down hard hitting techno drums from the get-go, setting the foundation for a tense atmosphere. ashworth’s signature move quickly ensues, as he manages to inject emotion through synths and piano pads into an otherwise tense and anxiety-ridden ambiance. toning down the graveness of the previous tracks’ mood, ”mineral” reveals a surrendering groove, with a stripped down, minimalist approach, where the melody is assembled with the help of industrial elements, emotive bleeps and electric glitches. ashworth’s experimental edge is evident in the final track “scatter” - the sub bass lead creates a morose atmosphere paired with low-key synths and mechanical loops. while the first two tracks showcase ashworth’s ability to instill life into solemn techno soundscapes, the second half of the ep successfully exhibits his edgy experimental side, adding up to a heterogenous release.

the first release features two original tracks and one remix. back home in itself opens up with emotions and feelings of mysterious dark atmosphere that won t leave you indifferent as a listener or a dj. field of dreams is brimming with various textures that form strange feelings but at the same time delivering a clear message. the remix on side a sounds very precise and sophisticated. the minimalistic groove of the entire track forces your feet to move.

gravity graffiti is reborn from the unknown space with this explosive split ep. two jazz-influenced gems by marcello napoletano and richeart through the roots of rhythm! on the a side the third chapter of ra toths saga, after mathematics and berceuse heroique, with a diabolic trance dance. flip side for a killing-edge banger by the emerging producer richeart, a new definition of acid jazz. let the spirit move you! supported by jamal moss, funkineven, soichi terada, raybone jones, john swing and robert crash.

one of a set of new 12 inches from derrick mays prestigious imprint - this one featuring a stomping and heavy techno track, based on hypnotic rhythms and somber patterns and that is guaranteed to move everyone on the dancefloor. featuring classic looking cover illustration from the myth that is abdul qadim haqq.

the black 80s make a long overdue return to freerange following their 2014 release move on (from which the kollektiv turmstrasse remix become something of an underground anthem). the duo hailing from montreal and consisting of hollis p monroe and overnite have been responsible for some seriously influential tracks over the years, not least hollis bonafide classic from 1997 - im lonely.

anthem alert !! great 4 track journey from tech house to house

early support from raresh, akufen, and jan krueger, next up on sol asylum is non other than julie marghilano with her innerspace ep. taking the listener to another dimension of sound, she brings her range of musical knowledge to create a solid package with a stunning remix from fred p. starting things off on a analog journey with “innerspace” we move through an interstellar universe with detailed grooves full of percussive splatters and echoing synths that moves us into a dream like state of mind. conjuring the jazz planet in berlin with“katzbachjazz”you are immediately transported to a galaxy of sound with galloping percussion and a classic techno layout. using more 909 techno drum elements she creates a whirlwind of sound with a delicate touch. taking things a little bit deeper with “cosmic karma” she presents a heavily detailed drum structure full of violin experimentation that creates a dark atmosphere but still bringing an uplifting and joyous vibe. finishing off the package is something unique from fred p who julie asked to remix for her due to her enormous respect for him. the emotionally charged remix of“cosmic karma” shows a different side of fred p while still keeping his signature sound in tact. the remix takes us through an ever-evolving voyage through time and space.

vivod move into their next series of releases with portuguese maestro photonz at the helm. a 4 tracker of dark house that effortlessly slip into the label catalogue entitled lotus wheel on my orion. beautiful packaging again this time with full printed sleeve.

delsin records welcomes back dennis van gemert aka area forty_one for a second ep on the label. it is a second part to the nocturnal passions series started back in 2013, and come five years after his first ever release, which was on ann aimee in 2011, once again fusing ambient with techno, downtempo and electro. nocturnal passions part 2 is seven minutes of slithering electro funk. full of twinkling keys and spaced out chords, it has rugged bass and bumpy drums all making you want to move. voyage is then a raw, beat driven yet still brilliantly serene affair with angelic chords, consolation is a comforting, mid tempo tumble through the galaxy with soft focus, rippling melodies and gentle churning kicks and orbiting is a suspensory, fully ambient track that sounds like a slow journey up to heaven. this is teary eyed, emotive stuff that comes from another world entirely.

bahnsteig 23 return 2016 takeover mit kris boy baha! baha boy nehmen ozzie ozzie ozzie (oi oi oi) neu welle vi 909 wig perucke. beat move tanz. powerstation melbourne partei and label und powerform edit rock welt!

curitiba-based aia records returns with it s second release. lucas and marcelo also known as doneck, started to join forces back in early-2013. musically influenced by international recognised artists such as san soda, andre&#769,,s and move d, the duo also found significance in the sounds of aia s own label heads aninha & antonela antonela giampietro. therefore, creating a mixture of three soulful, deep but endlessly sounding tracks seems very convincing and credible to the overall ethos of the imprint. with assaz the duo delivers a deep but soulful house number, whereas ocluso is deep house at it s best, with a light atmospheric vibe and the echoing vocal. last but not least, te&#770,,nue creates this feeling of weightlessness and ease with warm natural added sounds and it s groovy bassline.

ltd 2016 repress.. session victim can do no wrong in our eyes. not only do they run an absolutely brilliant vinyl-only label known as retreatwith the help of fellow berliner quarion. not only do they play an amazing live set which has seen recent fans at londons corsica studios get so worked up they started crowd-surfing. not only were they responsible for last years underground hit good intentions which is so good it had move d in tears as he closed a festival set with it last summer. on top of all this they are the nicest and most focused couple of chaps you ever did meet. in short, we are very proud and happy to be pres their debut lp the haunted house of house on our humble label

the second offering from no more to roam, comes from one half of 2deepsoul, rai scott. a 3 track ep of low slung, sultry beats. clarinet moods, the eps namesake, comes in two different cuts both with the clarinet skills of rai herself, the melody mix is real nod to the afterhours, subtle drums & a haunting clarinet lick, while the lazy dub a little more upbeat, still has that afterhours vibe, carried with the clarinet & simple percussions, closing things up here is move to the front built for the dancefloor, a rolling bassline & synth, layered over a rolling percussion makes up the final cut.

one records move into 2016 with what is set to be one of the biggest records of the year coming from elusive producer gabriels. this one sided, one track bomb comes in the form of amethyst and sits in a whole league of its own

by all accounts, whiskey disco has matured. each release unique, but compiled meticulously to meet some of the highest standards in the edit community. wd45 continues the trajectory with 4 tracks combining equal parts soul, boogie and disco. rastanils cuts up cheesy obscurity to reveal heavy disco vibes—this edit was smashed by mcde at numerous festivals in 2015. next up, the intriguing corsican brothers reappear after a 5 year absence from whiskey disco with a sliced version of i like it, beefed up bass and space on the platters with a touch of dub. side b exemplifies the weirdness only a b-side can… albions disco chopper is a stretched and phased party jam that does not stop. move to the inside for the lengthy and epic big time, a 9 minute exploration into rocking disco roots, courtesy of the eponymously named blaxploitation movie from 1977.

ever find yourself on a long escalator in a train station? an undistinguishable robot voice is coming from the intercom. you move effortlessly on this machine, yet you do not understand the sounds coming towards you. this is the essence of vestibule. followed by the ecstatic rhythms on rising, these two make a colorful a side in contrast to the black and grey of solpara’s previous releases. the b side features two remixes, one by the prolific lestasi delloro and the other by the newest member of the booma roster: belgium lights. lestasi delloro questions the four to the floor pattern of the original track and pops it upside down, like the negative of a photograph, giving it an unexptected bounce with marvelously swung hi hats. belgium lights takes a deeper approach to the remix and stretches it out to almost 9 minutes, pulling us down the escalator, at a faster pace and through a darker tunnel.

tommy four seven presents a series of eps featuring guests from his new regular event, 47. keeping the focus on the floor, each release will include 4 original tracks, including one by tommy himself.

repress 2016 - lofile records release number three represents the first solo 12inch of marbod, co-founder of lofile. turdus merula is a true declaration of love to the deep and warm sound of housemusic. the four detroit sound inspired tracks, including a remix of thomas stieler, come up with minimalist, romantic and impulsive grooves and combine rawness and beauty. this ep is an awesome deep dance floor bomb. enjoy.

*sagan om lilla vargen* is a musical drama created by the quartet wobz. its a tale of the little wolf who is forced to move out of the woods as it is about to get renovated. the journey to the city makes for an adventure in sounds as the citys noise and stress gets intensified with lifestyle coaches and different obstacles of human interests. the members of wobz are active in the sound art and electronica genre. the vinyl release comes in a gatefold sleeve with cd and download code.

with that combinded choice you don´t have to hesitate. put your sound system to the max and enjoy the sounds. hesitate ep is number 80 on stylerockets, the berlin imprint of the kiddaz fm music group. dompe, berliner-of-choice since 2011, shows once again his multifaced talent being a producer. hesitate is the warmup on the ep and makes you fancy for more stuff like this. with rosey he chases another techhouse cutie. brilliant bassline, a laconic vocal and suddenly your start to move. we go on with warehouse blues, snapping the fingers on our way to ...

a family move to germany in the 90s expanded his horizons and musical repertoire but his homebase sound remained the same tech house and techno with groovy rhythms and bang out beats. as an artist, he has released on drumcode, cocoon recordings, soma, intec, bek audio, traumschallplatten, trapez, herzblut and bedrock. his tracks are always a mixture between dancefloor moovers including groovy rhythms and big basslines. mark reeve presents his second release on drumcode, run back, a four track ep crammed with heavy hitting kick drums and his signature big basslines. the dark sounds and heavy textures are typical of reeve and hes showing no sign of slowing down yet. four tracks of brooding techno, this ep is one not to be missed.

the cyovac machine is held together by a team of like minded artists that work to move production forward. cryovac functions to preserve the soundcraft of thees artists into the vinyl format. cryovac vinyl is pressed by a.garcia at archer record press in detroit. the cryovac operates to push music that represents the soul of its maker. sierra sam and pascal hetzel bring the smooth techno feel of berlin and an analog savvy to fist side of cryovac #14. they combine for two minimal machine soul bangers that zone your mind and move your body. spam burrito is the creation of a.garcia and kieth kemp. this combination rocks out choice wavs that have been tweeked to perfection under the rising and falling of effects. dave powers choses the low key emotional path of ever an evolving synth moving an intelligent knock. the 14th edition of cryovac is a must hear.

amalthea and ios first release, galvanize ep is a conception of different new ideas that have surged in the strong influx of different styles of deep grooves in the recent years. malbec and duky have built an advanced musical spaceship that entices the dancer to move constantly as well as keep them curious to the frequencies emitted by amalthea and ios satellite.

we are new york bound for the second release from rex music, as we invite the charismatic boss of soul people music, fred p-aka black jazz consortium to bring us an exquisite ep, which holds true to his persona: elegant, deep and refined. like the chronology of a day, evolving from dawn to dusk, fred p takes us on a journey through three well-crafted tracks to compose an intimate ballad. ‘wave patterns’ sets the tone with a smooth, airy atmosphere – minimalist yet progressive, it will have you enraptured as the subtle pads weave in and out of the background, dancing a pirouette with the low end. the dubby, hypnotic ripple of the bass ushers in a bright glow like sunrise at the beginning of a glorious day...from there, we move on to side b where ‘continuous sensation’ accompanies us until sunset. soothing and playful, with a delightful string riff and mellow, warm bassline, it’s full of the joys of the daytime. finally, fred p closes out the ep with a harder, more angular workout. ‘unbroken circles’ is made for the twilight hours, when the sun has set and we’re wrapped up in a warm, dense evening. simple, mysterious and crisp… a great way to finish up an outstanding ep from our man, fred p

brilliant 80s disco bizz

pressing on transparent 7 inch vinyl.

after the very polish and the very soviet cut-outs, zambon continues his endless trip around eastern europe with another excursion. now it s time to follow him and dive deep into dance music of former yugoslavia. the very first volume of the brand new the very yugo cut-outs exposes a little known scene of editors based around the cult club 20/44 in belgrade, serbia. a duo of djs and producers called kompleks is responsible for three edits here, while the label boss zambon supplies the last one. tracks range from poppy new wave of jakarta group from serbia, through psychedelic rock of seid memic aka vajta from bosnia, yugo boogie of kim band from serbia/macedonia and sleazy synthpop of videosex group from slovenia. the unique vibe and amazing skills of yugoslavian musicians from the rich and unfortunately still little known scene are guaranteed to move both you and your local dancefloor. hvala!

nima gorji would like to welcome next the rising uk artist, brett jacobs. he makes his debut on ng trax with 3 deep and hypnotic tracks that will work and move any dance floor, this guy is definitely one to keep an eye on.

die erste compilation des gleichnamigen italienischen restaurants samt partyreihe in der nyc lower east side, nachdem in zusammenarbeit mit dem label golf channel bereits drei edit-12 incheses erschienen. mit nagelneuen tracks von totes preesh (zwei mitglieder der phenomenal handclap band), dedication (felix dickinson) und nick chacona. das doppel-vinyl erscheint im klappcover inklusive downloadcode.

after a successful summer of church white releases gathering support from session victim, move d, galcher lustwerk and a host of others, church returns with it’s next offering from peckham via auckland brothers chaos in the cbd. fresh off the back of the juno number one seller ep ‘midnight in peckham’ on rhythm section, they delve into deeper territory with emotive title track ‘constraints of time travel’

karousel is the new alias from irish producer gavin herlihy. forged in the fires of house and determined by a steely dedication to timeless deep dancefloor theory, the alias begins life on one of the uk s most trusted vinyl labels, illusion recordings. gavin started learning to produce in 2005 and less than a year in scored one of the tracks of the year in 2006 with machine a homework, a techno opus hailed by laurent garnier and dj hell as one of the tracks of the year. over the next few years a move to berlin lead to gigs at clubs like panorama bar, fabric and later circo loco while his productions took root in a variety of different genres and big labels. karousel is the expression of gavins house leanings rooted in the sampling of dusty old jazz and disco records and the use of hardware.

octual s debut ep has arrived. a pangalactic melodic journey that crosses various spaces, under guidance of throbbing basslines, galloping hi-hats and enthralling pads. four tracks that showcase depth of sound and mood.

eddie c come back to endless flight with 2 brand new tracks and excellent move d remix! title track on a side is one of the most danceable track from eddie c. it s simply floor killer. on b side, flying blue is alternative disco stuff, it s typical eddie c sound. move d remix of la palette is stripped version of original brazilian house track. its more dj tool for the fan of work shop or german deep house.

another essential contribution to the studio barnhus catalogue from the unstoppable force that is baba stiltz. these ultramodern dance pop anthems see young baba utilizing his own voice in a more direct and heartfelt manner than on any of his previous barnhus recordings, as well as dusting off the old acoustic guitar. much more to come, until then: lets make this last, dont move too fast make it for real, know how you feel lets make this last, dont move too fast lets make this real, know how you feel, dont move too fast make it real, know how i feel

r&b für den sommer: sechstes album der neuseeländischen band. die 180g vinyl lp erscheint inklusive downloadcode.

so the much anticipated return of primate recordings darker sibling, primevil recordings, is finally with us. this, the first of 3 various artists eps, will hopefully have you all drooling with excitement, and waiting for the next instalments of this classic label with baited breath. as with the primate releases, the ep features friends both old & new, but with a more sinister or funky take on proceedings, and each track is sure to move any dancefloor that likes its funk dark and edgy. brand new & exclusive tracks from nicolas bacher, sascha zastiral, and michele pinna, with a fabulous remix from stanny franssen of the track *jump room from greencross & miss electric kick off proceeding.
dj support: cristian varela, mark eg, misstress barbara, john warwick, anderson noise, louk ...

re-issue of a 1974 afrobeat classic.

craig peyton was a mainstay in nyc jazz and dance music beginning in the 70s. from playing on dan hartmans -vertigo/relight my fire- to his work on boogie funk productions with daryl payne, he is one of the unsung heroes of the era where disco transitioned into house music. his drum machine and synth based cover of william devaughans -just be thankful- came out on profile records in 1983, a daring move for a white man trained on the vibes. he gives the jam a haunting and funky rework that has only escalated in popularity over the years. it has been bootlegged extensively while original copies remain quite elusive.